This image documents an exhibition of Avery's life-size, push puppet-style, wooden sculptures called Medium Dead. The sculptures are in two streetside window displays. Two people walk past. In the display on the left, in front of a purple curtain backdrop, the push puppet figure holds two dogs on leash. In the display on the right, in front of a red curtain backdrop, the two push puppets look like boxers that lean into each other.

A detail photograph of Boxers that more clearly shows the texture of the wood, the sheen of the paint, and the quality of the black, cartoony lines that define these life-sized push puppet sculptures. The paint suggests the figure on the left has brown skin and light blue shorts, while the figure on the right has pink skin and dark green shorts. Both wear light cream socks and shoes. A red curtain backdrop hangs behind them. By the reflections and shadows, it's apparent that the boxers are situated right behind a large window.

A detail photograph of Boxers that more clearly shows the texture of the wood, the sheen of the paint, and the quality of the black, cartoony lines that define these life-sized push puppet sculptures. In front of a red curtain, their heads, painted brown and pink, rest against each other. They kiss or whisper or both. Just visible at the bottom of the photograph are the white ropes that link their body parts together.

A photograph of Morning Coffee. This tableau of two life-sized push puppets presents a kitchen table scene. The paint suggests that the figure on the right has brown skin, a red shirt, and chartreuse pants. The figure on the left is painted to have pink skin, a blue shirt, and light brown pants. Black cartoon lines define their ears and eyes. A wooden potted plant sits on their table. A green curtain backdrop hangs behind them. The reflections and shadows reveal that the figures are behind a large window.

This detail photograph of Morning Coffee more clearly shows the head-back posture of the seated figure, the surface texture of the wood, and the ropes that hold the sculpture together. In front of a green curtain, the figure has thrown his head back. He no longer sees what is on his phone. His pink skin glistens in the sun. The ropes that sustain him terminate in a disordered mess below his chair.

This tableau, called Dog Walker, has a life-size push puppet that looks like a child walking two small dogs. One dog only has three legs. The paint suggests that the figure has beige skin, brown hair, a light blue shirt, and red pants. The dogs are painted light brown and white. Black dots inside white ovals define their eyes. The figure stands to the right of a black street light, styled like a push puppet. The way the figure connects to the street light, she seems to need its stability. A purple curtain backdrop hangs behind them. By the reflections and shadows, we can tell that the figures are behind a large window.

Seen from inside the window display, the sun has silhouetted the life-size push puppet that looks like a child walking two small dogs. The figure and the dogs are reflected in the window but we see only glimpses of their doubles. Haze and smudges coat the window. Beyond the window are gray and black architecture with moments of graffiti.